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TITLE: Burning Buildings, Burning Bridges
AUTHOR: CazQ
RATED: PG
CATEGORY: J/D
DISTRIBUTION: please ask first for archiving/linking permission.
SPOILERS: Not much. Set in some pleasant imaginary season 1 springtime.
DISCLAIMER: C.J., Josh, Toby, Sam, POTUS, Donna and anyone else you recognise here belong to Aaron Sorkin, John Wells Productions, Warner Bros., and NBC. I'm just playing with 'em.
SUMMARY: "What would you save from a burning building?"
FEEDBACK: Yes please - it's my first time <coy smile>. CazQ@tesco.net
NOTES: at end. Now read on...

*******

Burning Buildings, Burning Bridges (1/1) by CazQ

*******

"Come to lunch with me, Josh," she says, standing in his doorway with a paper bag in one hand and a magazine in the other.

"Well, I don't know," he replies, looking up from the brain-achingly dull briefing memo he's been sent on the Kreutzer Amendment to HR839. He waves at the stacks of papers on his desk. "If you and I are both out of the office, who's gonna run the country?"

Donna gives him a wide, warm smile and says, "Josh, it's the first really pleasant day of spring, I might just possibly have dropped by Dunkin' Donuts after I went to Subway, and you should get some fresh air."

He rocks back in his chair, pushing away from the desk and looking up at her. She stands there, clutching her paper sack as if she were a kid on the way to the lunchroom at school. Her suit is the powdery blue of a spring sky, early in the morning on a clear day.

"I guess we could trust Mrs. Landingham and Margaret to keep an eye on the country while we're gone," he says, and sees her smile get a little wider.

*******

She's right, it really is a pleasant day. There's still a chill and a fresh tang of rain on the breeze, but the cherry trees on the Mall are starting to bud, the very slightest haze of green appearing on the tips of the branches. He can't remember the last time he sat out here and looked at those trees. He can't remember the last time he played hooky from the office to sit out on a bench in the weak spring sunshine and eat sub sandwiches with a pretty woman.

" 'Is He Seeing Someone Else? Ten Surefire Signs'," Donna reads out, flicking to the next page of her magazine.

"I can't believe you got me to leave my desk and have lunch with you just so you could ignore me in favour of Glamour," he complains.

"Would you be more accepting of this if I were reading Newsweek? Because I have that in my bag too," she says, before nibbling at her Seafood and Crab Classic.

"No, because I already read that and I don't want Donna's Reader's Digest version of Newsweek any more than I want edited highlights of Glamour magazine."

" '1. Does he work late at the office on the slightest pretext or even claim he had to stay there the whole night to finish an urgent project?'."

"You know I would never hire another assistant on the side. You'd notice as soon as she interfered with your filing system," he says, finishing his Subway Club and aiming the scrunched-up wrapper at the trash can nearby. He pokes around in the paper sack sitting on the bench between them and discovers that she did indeed stop off at Dunkin' Donuts.

"Okay, fine," she says, turning a few pages. " 'Take The Ultimate Glamour Personality Profile Quiz'."

"No. Absolutely not. Let me eat my donut in peace, woman, for the love of God."

"Did you know Dunkin' Donuts sells 6.4 million donuts a year, on average? That's enough donuts to circle the earth twice."

"Is that knowledge supposed to enhance my enjoyment of this particular donut?" he asks, hiding his smile by taking another bite.

"I think it's interesting," she says, still scanning the magazine quiz. "Hey, Josh? '1. On that special one-year anniversary, do you want him to a) take you out for a romantic night of dinner and dancing somewhere classy, b) make you a gourmet meal at home and serve it to you by candlelight, c) whisk you away for a weekend somewhere foreign and exotic?"

"Who is this man and why have I been dating him for a year?" he asks, licking donut sugar off his fingers. "CJ's gonna be pissed if someone from the press sees me and my secret gay lover of a year's standing out dining and dancing."

She squints over at him, trying for stern but just looking like there's a giggle under the surface trying to break free. "Is that b), then?"

He shrugs easily and goes back to work on his donut. Donna is still nibbling away at her sandwich as if it's going to be her only meal for days and she wants to make it last.

"2. What would you save from a burning building? a) your pet, b) your Palmpilot, c) your favourite outfit, d) your journal?"

She looks up, startled, as he pushes himself up off the bench and tosses the last chunk of donut towards the trash can. It falls at least three feet wide.

"Josh, what -"

"What would I save from a burning building?"

She stares up at him as he takes a couple of steps back and forth, snapping his fingers absently and bouncing a little too high on the balls of his feet. She looks a little scared, but some little bit of him he usually keeps a tight rein on still remembers the acrid smell of smoke and how cold and wet the grass in the yard was under his feet when he ran out there in his pajamas. The same little bit that memorised the fire drills, escape routes and muster points the same day they moved into the West Wing, the same little bit that still can't watch 'Towering Inferno' or 'Backdraft', the same little bit that always notices whether a room has smoke alarms, a ground-floor window, a sprinkler system.

"It's just a question..."

He comes to a halt in front of her, runs a hand through his hair. "You," he says, the word escaping him before he can think about it. She looks up at him, her eyes wide, her mouth slightly open, but she doesn't say anything.

He turns on his heel and sets off back to the White House. He hears her shout his name, once, but she doesn't follow him, and he doesn't look back. All the way back to the West Wing, picturing her behind him, sitting under the green-misted cherry trees with her magazine, her half-eaten sandwich and those big, scared eyes.

*******

For once, Donna is late back from lunch. He has a feeling he has something scheduled for 2:15. A conference call? A meeting? One of the nebulous, important 'things' Donna keeps track of for him, anyways. As she isn't there to badger him about it, though, he feels he can get away with wandering the halls.

He doesn't feel like sitting still. He's rattled, uncomfortable in his skin. It's like he left the door to a dark room unlocked by accident and Donna slipped in and flicked on all the lights, the glare hurting his eyes. He doesn't even know why he said that to her. Actually, he thinks that maybe he *does* know, and the implications of that are...things could get out of his control here, easily, so easily. He's just managed to scare the crap out of her and simultaneously reveal something better left unsaid, hasn't he? Josh Lyman, multi-tasker extraordinaire.

When he reaches Sam's office, Sam's sitting there with his gleaming wingtips up on the desk, mouthing sentences to himself and waving a pen in the air like he's conducting a symphony. Josh stands there and watches the show for a minute.

"We should include you in the tour," he says, eventually, when there's no sign that Sam's ever going to notice him. "Come see one of the crazies in daily contact with your President!"

Sam curses and the pen goes flying. At least he doesn't fall out of his chair. "Could you not, you know, do that when I'm in the middle of writing?" he says, gracefully swinging his legs down off the desk and ducking under the desk to look for his pen.

"Didn't look like writing to me," Josh points out, coming in to pace up and down the room, still clicking his fingers as his hands swing at his sides.

Sam's head appears over the edge of the desk, glaring at him. "I was *composing*," he says coldly. "In the compositional stage of a delicate writerly process." The last two words are muffled as Sam dives back under the desk again.

"Well, since you're not composing now anyway, what would you save from a burning building?" The question feels thick and difficult to get out in his throat, beneath the careful air of nonchalance. He wants to hear Sam say something like "Cathy", or even "my sister" - just not "my Palmpilot" or "my favourite suit".

There's a yelp of pain as the top of Sam's head connects with the edge of the desk on the way up. He slumps in his chair, rubbing his head with one hand and holding the pen aloft in the other. "This pen," he announces.

"No, really."

"Yes, really."

"You would save a cheap, plastic fountain pen you could replace for two bucks from a blazing building? Not, like, your laptop? Not even a real pen? You must have a Mont Blanc or something somewhere."

Sam looks wounded. "This pen cost me at least three dollars, I'll have you know. And as a matter of fact, I do have a silver Mont Blanc my grandmother gave me when I graduated Duke. But this is a good pen. My best ideas begin with this pen. Toby and I wrote down the first draft of the Inaugural Address using this pen."

"You have a lucky pen?"

"You have any more annoying questions you want to ask?"

Josh holds up his hands in surrender. "Okay, okay. I'm going."

As he swings out of Sam's door and into Toby's he hears Sam yell, "Don't you have a thing in ten minutes? Josh?"

******

Toby is sitting at his desk, bowed over his laptop, fingers steepled against his temples. He looks like he's praying.

"Toby, what would you save from a burning building?"

Toby glances up at him and then assumes his meditative position again. "Go away. I am a busy man. I busy myself with the business of this administration."

"You don't look busy," Josh points out, slouching against the doorframe, stuffing his hands in his pockets to try and still them. He finds what feels like a wrapped piece of hard candy in his left pocket, and starts jingling it around with the small change in there without even thinking about it.

"Busier than you," Toby replies, without looking up.

"I'll leave if you answer the question."

"Fine. Any building in particular?"

"Your apartment, I guess."

"I'd call 911, and be glad I keep everything valuable in a safety deposit box at the bank," Toby answers.

"Well. You're no fun," Josh complains.

"No, I'm not. I am a person devoid of fun. A person focused on the speech the President is going to give at the reception for the Chilean ambassador on Monday night, to the exclusion of all fun things. Now go *away*."

Toby rouses himself as Josh leaves and he hears the sound of fingers rattling over a keyboard as he goes back to his own office via the candy machine. On the way, Josh crosses paths with the President and the ever-present bevy of Secret Service agents - headed out to Manchester, he realises. That's right, tomorrow is a Saturday.

"Josh," the President cries, beckoning him. Bartlet appears to be in full Cheery Avuncular mode, judging by the grin and the truly horrible golf sweater. "Josh, what do you think I'm going to do this weekend?" He claps Josh on the back and then rubs his hands together like a kid about to get his Christmas presents. The grin gets even wider.

"Blind your golf partner with that sweater, thus ensuring a win, sir?" he ventures.

Bartlet raises his eyebrows. "No. I am going to go and please CJ by having my picture taken playing golf with Tiger Woods and some people from Sports For Inner Cities. Mr. Woods will hopefully refrain from kicking my ass on the grounds that I am his President. Then I am going to spend the weekend in God's own state, New Hampshire, with my lovely wife, and we're going to enjoy the company of our youngest daughter for a couple of days. It's the perfect opportunity for her mother and I to work on grilling her and find out just what she's been up to lately in that pit of vice and sin that men call Georgetown."

"Sir, doesn't the Secret Service keep Zoey away from all Georgetown's dens of vice for you anyway?"

Bartlet winks at him. "I think Charlie has that covered, actually, but it never hurts to put a little of the fear of God into one's daughters just when they're starting to enjoy being out of the nest."

They turn a corner and Josh hesitates for a second, but this appears to be official Presidential down time, and there's that itch inside him again that he can't rid himself of, a need to get things straight in his mind, so...

"Sir, may I ask you a question?" Bartlet nods, glancing over at him curiously. "What would you save from a burning building?"

The eyebrows go up again, but Bartlet's been asked weirder questions. "The First Lady," he answers, smiling now rather than grinning. "I can replace everything else. Have a good weekend, Josh," and with that he's gone, the cluster of agents around him gently sidelining Josh and hustling Bartlet through a door towards the back of the White House and the waiting chopper.

Josh trails to a halt in the Presidential wake, and then wanders back towards his office, the candy machine all but forgotten. It floors him every time, the way Bartlet can say something that would sound cornball in anyone else's mouth and make it sound so right, so honest. The way the man can pierce right to the heart of whatever's bothering you, by sheer chance or intuition, as casually and as easily as if he's offering you a sandwich and a beer instead of an important truth.

He blinks hard, and concentrates on his walk, on keeping the right amount of swaggering energy in it so no one who passes him in the halls looks twice. She didn't know, he reminds himself. She couldn't have known what she was asking. She thought it was just a...a question.

The phone is ringing as he walks in the door and it turns out the thing he had scheduled was a call from Congressman Ackerman about the steel imports thing. He swings his feet up onto the desk, a la Sam, and talks, and when he gets off the phone and notices that Donna's back, for once he doesn't call her in to arrange, research or find anything for him. Instead he watches her, craning his neck to see her at her desk, and notices that her eyes look slightly watery, and that even though she never looks up to see him watching her, there are two spots of colour high on her cheekbones.

She blushes. He watches. And so the afternoon goes on.

*****

Donna leaves at 8:30. She comes in, coat already on, purse in hand, to check that he's all set before she goes. She draws a breath and opens her mouth like she's about to say something, and then huffs it out like she's blowing away a bothersome fly and disappears.

He hauls himself out of his chair and sticks his head out of the door to watch her go. She and Ginger are walking briskly down the hall together, their strides crisp and measured, hips swinging. He realises Donna had looked like she'd touched up her lipstick and combed her hair out, and wonders if they're going out someplace.

He's meant to be going over the briefing he's been sent on how their proposed white-collar fraud legislation is polling. Instead he plays a little wastepaper basket b-ball, hops back and forth between C-SPAN and CNN for a half-hour or so, makes paper airplanes out of the front covers of the Wall Street Journal and the Washington Post, and, when he can't think of anything else to do in the way of disassociative behaviour, he goes to pester CJ.

She's watching CNN with one eye while the other's on whatever she's typing up at her desk when he shows up, which isn't promising, but he comes in and flops down bonelessly on her couch anyway and waits for her to notice him.

"Something I can do for you, Josh?" she asks after a minute or two, when Christiane Amanpour and her flak jacket have disappeared and the anchor's moved on to an interest rate cut by the Bank of Japan.

"CJ, would you like to be Christiane Amanpour when you grow up?"

She pauses for a second. "Sure, why not? You think they sell flak jackets at Tall and Elegant?"

He fiddles idly with his tie for a moment and then says, "Have you noticed your fish is swimming backwards? I mean, fish aren't meant to do that, are they? Is there, like, something wrong with her?"

CJ clicks her tongue at him. "Don't say things like that in front of her. We prefer to refer to it as her 'special' way of swimming."

He watches Gail's stately retrograde progression round the bowl. CJ watches him. "CJ, what are you afraid of?"

She spins her chair idly round, back and forth in half-circles, leaning back away from the desk. "Right now? Never getting to put the lid on and go home tonight because you're in here being rude to my fish and asking dumb questions."

He pushes himself up off the couch in one movement. "Forget it. I, I got a thing to do anyway -"

"Josh." Halfway to the door, he turns back towards her. Her voice is gentler, tinged with contrition. "Seriously?"

"Seriously".

She spins a full circle this time before answering. "Screwing up."

He coughs quietly with laughter. "You and everybody else in this building. Nothing else?"

"Heights. Hate 'em."

"Yeah?"

She nods, goes back to swinging the chair back and forth in half-circles. "Oh yeah. There's a reason I never sit near the windows on Air Force One. You remember that photo opp we arranged up the Empire State Building during the campaign?" She pauses, her eyes flicking away from his face. "I, uh, didn't really have a migraine that morning." Her fax starts to chirrup and beep in the corner, but she ignores the sheets emerging from it. "What about you?"

He shrugs, fiddles with his tie again, looking down at the silk weave - maroon with little navy blue dots today. "Fire."

"I guess we both have pretty pedestrian phobias, huh? You'd think one of us could come up with something more interesting. I met a guy at a party at the leadership conference who said he had a clinically confirmed phobia of knees. Or possibly bees. It was a noisy party. Is something up with you?"

"No. I was just, you know, thinking about it today. Donna had some ridiculous quiz she was making me do at lunch. It asked what I'd save from a burning building."

CJ gives up on her half-turns and starts rocking the chair gently backwards and forwards, eliciting a rhythmic protesting squeak from it. "So? What did you save from the proverbial house on fire?"

He takes a step forward to the desk, dabbles his fingertips in the water in the goldfish bowl. Gail moves out of reverse gear and comes up to the surface, nosing around expectantly for fish flakes. "I, uh...myself," he says.

CJ looks at him blankly. "Okay. And what did the quiz have to say about that?"

He shakes the water off his fingers and wipes his hand on his suit pants. "I didn't put that as my answer," he tells her, wandering back out of her office. Behind him, CJ sits upright, the chair groaning loudly, and calls after him, but he isn't listening. He turns back along the hall to his office, shuts the door and turns out the lights. In the flickering glare from the TV, which is showing a bunch of venerable Japanese guys in suits, he sits down carefully and starts spinning slow circles in his desk chair.

******

Days go by. He contemplates calling Stanley, but doesn't pick up the phone. He eats, and sleeps when he can, and works, works, works. He contemplates being gentler than usual to Donna, but decides that would only freak her out more. Instead he is deliberately difficult and shouts more than usual for a day or two, which stops her looking at him all the time as if she's trying to diagnose an illness.

Days go by. He roams the West Wing, looking for Donna. "Why is it," he complains to the air as he passes through the bullpen, "that Donna can always find *me* when she has work for me to do, and I can never find her?"

Sam, who is standing outside his office holding a large package and having a heated three-way argument with Cathy and a roller-blading courier about something, nods at him. "They have *ways*," he says darkly, making a face at Cathy. "They know secret assistant things. Things that ordinary man was not meant to wot of."

"What?" says Josh, momentarily diverted.

"That's what I said. Wot of," says Sam, turning on his heel and vanishing into his office clutching the package, Cathy in tow and the courier gliding along behind.

He finds her in the copy room, having hunted her down through a detection process involving Margaret, Charlie and an intern from HR. She's leaning her hands on the machine, watching as it hums and whirs and spits out sheet after sheet. The tiny room smells overwhelmingly of hot copies and toner. She's singing to herself as she does a little shuffling on-the-spot dance to kill the time, but he can't make out the tune over the noise from the copier. He walks up behind her, until he's just inches away.

"So *this* is what I pay you for. Copying. You know, I've often wondered."

She actually jumps in the air. Not only that, she squeaks with surprise. He's fascinated.

"Josh," she says crossly, spinning round, "could you *not* do that to me?"

"Oh, Donna, we're running a superpower here. I have to get my kicks where I can," he says. Then he realises he can smell her over the acrid scent of copier toner. That's how close they're standing. She looks up at him, her mouth still loose and slightly open with shock, and he can smell her, a clean scent like the budding cherry trees on the Mall after a rain shower, and he kisses her.

She squeaks into his mouth again in astonishment, but it's too late then, he's forgotten whatever it was he came to find her for and can only think that *this* is what he came looking for. He presses her up against the copier, which is still whirring away, and he can feel the vibrations from the machine going through her body and into him. She tastes of wintergreen Lifesavers, and for a few seconds she kisses back, her tongue sliding against his as her hands tighten round handfuls of his hair.

The copier beeps loudly behind her back as it finishes the job, and then there's just silence and the sound of their rapid breathing as she pulls her mouth away and slides her body out from between him and the machine.

"Kicks?" she says, clutching with one hand at the nearest solid object, a stack of paper refill boxes. His mind's a blank for one awful moment.

"Donna, no. I...I didn't mean to, you know, do --"

"But you did," she interrupts, smoothing down her suit with a shaking hand. "In the copy room? You've finally lost your mind, right?"

"You participated!" he hisses, looking over his shoulder at the half-open door.

She keeps running a hand over her clothes and her hair, as though determined to get rid of the slightest wrinkle he might have caused.

"You're my boss," she says finally.

"Really? 'Cause I always thought you were, I don't know, Toby's spare assistant or something, I thought you just helped me out 'cause you liked me." He's babbling and he doesn't know what to say to her that will be the one right thing. He wants a roll of wintergreen Lifesavers.

"You're my boss," she repeats, edging over to grab her stack of copies off the tray and holding them to her chest, like Joan of Arc with her shield raised. "You're the Deputy Chief of Staff at the White House, and I'm your assistant. You were graduating college when I was still in grade school. And you're often a real jerk."

"Um...yes?" He stuffs his hands in his pockets and starts playing with the loose change - no candy this time - because otherwise he's scared he might touch her again.

She stands there and stares at him, biting her bottom lip.

"You have a meeting on the oil exploration thing in the Roosevelt Room in four minutes," she says, and slips past him and out the door.

Oh God. He doesn't want to spend the next two hours talking about drilling test sites and Alaskan wilderness reserves. He wants - he doesn't know quite what he wants. He wants to be able to think about this clearly and want this without being afraid. He wants to have *not* just made a colossal screw-up.

He'd save her from a burning building, he thinks, as he makes his way out of the copy room and down the hall, trying not to meet anyone's eye. The trouble is, she wouldn't need saving. She'd probably do a pretty good job of saving herself and then chew him out for being stupid enough to go back into the flames for her.

He really, really wants those Lifesavers now.

*****

Days go by. Days in which they do not, at any point, discuss what he's come to think of as That Copy Room Thing.

His buzzer wakes him at 6:00 one Thursday morning, and when he looks through the peephole he sees her, distorted by the fish-eye lens, dressed all in black and holding a paper cup and a blue folder.

He opens the door and waits for her to say something.

"You have a breakfast meeting with Senators Adelman, Jackson and Weiss at 7:15," she says briskly. "You said you wanted the new numbers on Kreutzer before you met with them?" She steps past him and into his apartment and all he can do is spin round to look at her, clutching his robe around him. She's wearing a heavy winter coat and the spring weather must have turned again while he slept - the door's still open behind him and a cold breeze scurries in and winds round his bare legs, raising goosebumps. He turns to shut it, looks back at her and notices that her hair is darkened, the colour of ripe wheat and flat against her skull.

"It's raining?" he asks.

She huffs exasperatedly. "Yes, Josh, you get an A for observational skills. Here." She thrusts the cup she's holding into his right hand and the folder into his left.

"You brought me coffee?" he says, his voice ragged with confusion, sleep and disbelief.

"No, I brought you tea. It's herbal. It has ginseng in it. Or possibly ginkgo? Whatever it is, it's meant to make you alert without caffeine."

"I *like* caffeine," he says, but sees the frown lines forming on her forehead and adds, "but thank you." She nods and starts undoing the big black buttons on her coat. "Donna, you couldn't have just had the stuff couriered over here? Or have come in early and given me the numbers at the office before the meeting?"

She shakes her head, pausing as she toys with the third button down. "I guess so, but I just...wanted to make really sure you'd have them in time to look them over."

"Oh," he says, at a loss for anything else. He sets the Kreutzer folder down on a chair, takes the lid off the cup and sniffs at the steaming liquid gingerly. It smells disgusting, but he takes a sip anyway to humour her. It's sweet at first, but with a sharp aftertaste when he swallows. He'd kill for a nice oily, black espresso now. He needs it to deal with this.

It also occurs to him that he really wishes he was wearing more clothes. "Stay there," he says vaguely to Donna, who is still working clumsily at the buttons with her gloved fingers. He shuffles into his bedroom and pulls on a pair of sweatpants so that he's at least semi-decent under his robe.

When he emerges from his bedroom, revolting herbal tea in hand, Donna has managed to unbutton her coat and take her gloves off, but she hasn't taken the coat off. She's sitting on his couch, hands folded neatly in her lap. She's also crying.

He sits down beside her, carefully not touching her, sets his cup down on the end table and watches her cry. She's not at all noisy or messy about it. She just sits there with the occasional sniffle and gulp for breath, while big glossy tears run slowly down her face and drip onto her wet overcoat.

"You're, uh, you're sorta leaking there, Donna," he says, very gently, laying one of his hands over her two joined hands.

"Josh," she says, pulling her hands out from under his, "why'd you have to go and kiss me? We were doing just fine."

"Because...I wanted to? And because I thought you might want me to too?" Oh God, he really is a jerk. A jerk who forced unwanted sexual attentions on his subordinate in the copy room of the White House. A jerk who's made Donna cry. Oh God...

"Of *course* I wanted you to too!" she wails, twisting her fingers together anxiously. "But you still shouldn't have, because...because of all those reasons I said in the copy room!"

"Oh. Okay. Uh...does it matter to you that I'm older than you?" he asks, wishing she'd look him in the eye instead of staring at her hands.

"No..."

"Does it matter to you that I'm an incredibly arrogant jackass on occasion?"

She thinks for a moment. "No. Although I reserve the right to get mad at you when you are."

"And - just so I can be clear on this, 'cause it's pretty early and I do my best thinking after sun-up - you wouldn't describe that thing where I, you know, kissed you as a disagreeable experience?"

"No. It was very...agreeable." She blushes again.

"Okay. So, the only *real* problem here is that I'm your boss, and we work for the President of the United States."

"That was pretty much the gist of it, yes," she says, scrubbing at her eyes with the backs of her hands.

He reaches over and brushes the tears off her face with the pads of his thumbs. "I could fire you," he suggests.

"No you couldn't. You don't even know what meetings you have scheduled for this afternoon, do you?"

"That's true," he admits. "Maybe I could trade you? You know, you could go work for Sam and I could take Cathy?"

"I don't want to work for Sam," she mumbles. "I like working for you. Sam's used to Cathy bringing him mochas in the mornings, even if she does steal his donuts. And he knows too many bizarre factoids of his own."

"Well, that pretty much closes off all available avenues. I'd just better not kiss you again, I guess."

"Right," she says, turning her head to look at him through the curtain of her water-sleek hair. There's a strand sticking to her cheek, and he leans in to pull it off her skin. That's when she kisses him. He combs his fingers through her heavy, cold mass of wet hair and feels her cool little fingers stroking the nape of his neck. He strokes his tongue against hers and hears her make a little sweet sighing sound deep in her throat.

"Oh this is so, so" - she breaks off to bite lightly at his lower lip - "*stupid*, Josh, I mean, really catastrophically dumb..."

"Yeah," he agrees, dotting little light kisses along her jawline in a way that makes her shiver, although it could just be the cold. "Leo's gonna decapitate us and put our heads on poles in the Rose Garden as a warning to others."

"I'm not sure you're taking this seriously enough," she complains, although she gasps as he flicks the tip of his tongue lightly against her earlobe. "I shouldn't have come over, I -"

"Donna Moss," he says, sitting back a little and placing a hand on either side of her face, "we are smart people. Or rather, you are smart people and you keep me in check. We'll find a way. There's gotta be a way."

Her eyes are too big for her face, and he can feel her cheekbones close to the surface of her skin as he touches her. She shakes her head slightly. "No, Josh. There really isn't." She says "There really isn't" the way he imagines she might say "I love you", and he gets it. There really isn't a way, but she came here anyway. There really isn't a way, but this thing between them, that really is there, and it's no less real and urgent just for being impossible too.

He sits back against the couch cushions, but he slides the fingers of his right hand between the fingers of her left. There really isn't a way, but he wants to think up a way to make one.

"Josh," she says very carefully, "you really would save me from a fire, wouldn't you?"

"I'd try," he says, looking down at their joined hands where his class ring gleams gold against her pale skin and squared-off nails. He's dreamed about it a couple of times this past week - running down hallways wearing pajamas, shouting her name, smoke curling up under closed doors, the door handles hot enough to burn his hand when he touches them - but this doesn't seem like the right moment to say that out loud. The last thing he wants is to scare her again.

"Trying is enough," she says, sighing and letting her head fall to the side to lean against his shoulder. He feels the cloth of his robe get damp against his shoulder where the water seeps through from her hair. She looks younger than she is like this, hair wet and slick to her head, her colour high, her eyes still watery. He doesn't mind that. She isn't too young for him underneath all that. She's picked up a lot of extra years, somehow, under her skin. And then she says it. "Don't tell anyone, but I think I might have a thing for my boss," she says. She says it like she'd tell him some useless fact about the principal exports of Mauritius.

"Well, that's convenient," he says, stroking his thumb across the back of her hand, thinking about the day she turned up in New Hampshire, all bloody-minded, wounded determination in a crappy car, with fifteen bucks in her pocket. "Seeing as I guess I might have...y'know...too. I mean, imagine if we'd been stupid enough to fall for the wrong people. Can you imagine if you were having to have this conversation with, I dunno, Toby?"

"There's a lot of people who'd say we were that stupid. There's a lot of people who would enjoy reading about this in the papers. People who'd call what you did in the copy room sexual harassment and abuse of power. People who would *use* this."

"Do you feel harassed?" He waits for her to answer, feeling an odd tightening in his chest. He's never felt this urgent fear about a woman before. With Mandy it had been easy, too easy. He'd bought her dry martinis and made her get into arguments with him in bars, and the first time she called him an arrogant fuck he knew they'd end up in bed together that same night. There hadn't been this delicate flutter of fear, this terror of making an irreparable mistake.

"Frequently, usually when you're yelling at me to find something out for you five minutes ago and I've been at work for twelve hours already. But no, I'm not planning on filing a sexual harassment suit anytime soon. Even if the money would make up for that non-existent raise I deserve."

"Well, that's gonna come as a relief to the White House Counsel's office. And Donna, I know I have more enemies than is at all healthy, but a lot of people don't know that we were. That stupid, I mean. They still think we're just two incredibly smart people who have a healthy, bantering working dynamic."

"I just...don't think I could keep this a secret until there's a new administration."

"I could sabotage the re-election campaign so we don't have a second term."

She looks at her watch. "You have that meeting in forty-five minutes. I'm not calling three senators later today to explain that you blew them off because we were discussing the impracticality of you and me being...together." He notices how she hesitates over the last word and wants nothing more than to take her to bed, curl up with her under the blankets while the rain falls outside and senators wait over stale croissants and cooling coffee.

At the door, she looks down to get her coat-buttons through the correct holes and says, "I'd go through a fire for you too, Josh." He hears her say that the way she wants to, without the indefinite article, inside his head, and wants again to make her stay.

"Donnatella. Are we going to talk about this?"

She looks up, coat buttoned all the way up to her neck. "There's nothing much to talk about, is there?" she says, all matter-of-fact, the very model of the modern political assistant.

Shit. He feels a quick, painful constriction in his throat. This is why he was satisfied to keep things with Mandy on the level of fighting, fucking and politics. Because then there's nothing to lose when you make your mistakes.

"So I guess we should just stop talking about it and get on with it, for as long as we can," she continues, smiling shyly now. "Because we're smart people. Can I come over here tonight? We could get some take-out, watch Leo's thing about the UPS strikes on Letterman, which I'm sure will be very romantic."

She leans in and kisses him as her words sink in, quick and sweet, and that tightness in his throat melts away. "This way works for me," he whispers, and she smiles and is gone.

He goes to the window and watches her run through the sheets of rain to her car, and the thought of making their way *this* way through the thickets of impossibilities ahead feels nothing like a fire inside and everything like being saved.

*****

FINIS

*****

Wow, I never did that before. Does this mean I can no longer pretend not to be a multi-fandom ho? <g>

My thanks to the Punkensab Two-Headed Monster and August, for getting me hooked on the fic before I even saw the show; to EPur, who inspired me to give it a go and loaned me Rollerblade Guy; to Lena, EPur, Luperkal, Marguerite and Maria Nicole for boarding the beta bus. And, as always, to YV, for existing. Thanks to *you* for reading. I'd love to know what you thought. CazQ@tesco.net

http://cazq.freeservers.com